Trecho da entrevista de Aline Kominsky, mulher de Robert Crumb, na revista Heeb:
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So being Jewish is different than being white?
I can’t help it, you know? My best male friends are Jewish, but as far as attraction—forget it. Terry Zwigoff and I were really good friends. One time I was wearing a pair of leather pants and asked, ‘Terry, how do I look in these pants?’ He said, ‘You look like a couch.’ That’s typical of how I felt growing up in high school when Jewish boys were real snotty. They were these short, skinny boys who wanted little blond girls. Those boys all grown up still make me feel like a Jewish monster. Whereas when I’m with a goy, I feel exotic and sexy and voluptuous. The most popular girl in my high school was Peggy Lipton, the actress who was on The Mod Squad and Twin Peaks. She was Jewish, but she was tall with straight blond hair, and a thin, pug nose. I adored her. She had a brother who was my age. He was dumpy and curly-haired like the rest of us, and I would help him with his homework so I could go over to his house and see Peggy.
The way you draw yourself and other women sometimes borders on the grotesque.
I used to keep notebooks of drawings of people on the street—these disastrous looks, strange body shapes and disgusting makeup. I started doing that in the ’50s and early ’60s when people wore bubble hairdos and white lipstick and go-go boots. Then when the ’60s came in, everything became natural, I stopped setting my hair on orange juice cans and putting Dippity-doo on my bangs and gluing them to my forehead with Scotch tape. I saw Joan Baez and Judy Collins and I realized there was a way for me to be myself. It was an incredible salvation for me. The natural Jewish thing became sort of okay and guys started finding me attractive, too.
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